vinyl only! acidicted jacks back with fatjacks pure tb-303 tweakin acid anthem on a special black-labled-dj-edition with additional tr-707 bonus pattern!

higly limited to 111 yellow coloured copies equipped with a silkscreen printed / numbered insert - vinyl only! acidicted jacks back with fatjacks pure tb-303 tweakin acid anthem on a special black-labled-dj-edition with additional tr-707 bonus pattern!

supported and played by: dvs1, brendon moeller, jeroen search, session restore, samuli kemppi, invite, anaxander, myles sergé, mary velo, arnaud le texier, patrick gil, opuswerk, kereni, gonzalo md.... the unison e.p. start with a pure techno banger, facial features: the heavy kick drum and synth pattern hit you where it hurts. myk then goes in more minimal territory with omage and see, both tracks making use of nice background repetitive voices, heavy basslines and dubby synths that remind you of late nights in berlin. the e.p. ends up with with synda, a peak time atmospheric dub experience that will not leave you indifferent.

nm004-001y, the first release on neustadtmusik yellow is brought into being with kollers creative and playful tracks where beats collide from different styles and tumbling rhythms are combined with melancholic sounds

the 4th and final sampler taken from swedish silver vol 2. patrick siech then steps up with the next track, kill room that also uses atmospheric percussion and stabs to build into a funky drum groove. the final track by cari lekebusch called xylopeggiator, conveys a dark, pounding 5 am rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern

miles has been releasing material on modern love for a decade, first as one half of pendle coven, then on his own as mlz, and eventually pairing up with sean canty to record as demdike stare. in between he has also pursued more experimental terrain under the suum cuique moniker, produced jungle for the hate project and (together with andy stott) taken on the occasional release as millie & andrea for modern love sublabel daphne. he is also an admired, exhilarating dj, his sets have been known to span a broad spectrum of electronic music, from the obscure uk techno of labels like radioactive lamb and irdial, to classic chicago house, detroit techno and - most importantly - early 90s jungle and breakbeat, feeding into his love of the most uncompromising end of the italian experimental movement, musique concrète, synthwave and contemporary noise.

enigmatic artists from eastern europe had a ace in their sleeve when they came out with the project of suburbs. they come up with the most mystical sound for their first ep on archipel under “plaeisii.” the strange classical texture swirl with a very lush rhythm that at first, appear to be extremely predictable but then, as you listen carefully, you get caught up on the most capturing pattern. the main song as well as amorf both are music for the soul and will be played in very special moment that will have people close their eyes to enjoy the shifting mood.

denmarks deso records with another quality 4 tracker featuring names like alex agore & label owner deso himself.

lovers of minimalist electro and techno will find much to engage with here. inspired by mathematical studies of pattern recognition and the concept of infinite dimensions, ekman produces sharp, precise beats over dark, trippy atmospheres that step and change creating a lattice of cold structured sound. limited to 200 copies on white vinyl.

biological digital analog transmission subbassss002 from the crumbling empire. 4 techno tracks for brooding. the corporate structure subjugates the infinite potential of the human wave pattern to the goal of short term profit. hate/love, destroy/create, profit/share, enslave/free. this is a time of decision, what is your plan

burkhardts latest stroke, including the hit delight. now we are back again with a charming selection of remixes, including work by tobi neumann and julien veniel aka djulz. tobi neumanns remix reminds the attentive listener to the old days of oslo. it is so to speak on the point. its light, but still complex in a special way. tobi carefully unhinged the catchy vocals of delight, added it at some points and put his glance over it. the b-side is home to djulzs interpretation of pianissimo. a dark and powerful house track, that finds its glory in its simplicity. a subtle piano sample is the basis for a forward moving drum pattern. here and there an eerie vocal shot rises and guides the dancer through the musical mind of djulz.

german maestro ulrich schnauss teams up with label owner asc for an ep of epic proportions. four sublime pieces of music that really show the pairs talent. with each piece, you can really hear both of their signature sounds playing off each other. essential listening.
pressing on transparent dark green, smokey marbled vinyl.

mike parker is back with 3 massive abstract acidic tracks on geophone. the a side opens up with mikes autumn remix of >give yourself up 2 techno< by apple juice featuring sean place. the buzzing high-pass filter pattern will shred speakers and precisely cut through any mix. the b side features two more originals by the label boss that explore oscillating low end frequencies and atonality as only mike can. pure techno, analogue style and created 100% live.

doyeq has charmed us in the past with their work on the >knights of the sad pattern< compilation released by pro-tez records late 2011. >without music< is a killer 12 inch from pro-tez camp with remixes from satoshi fumi, tom clark and yate. all mixes work for the dance floor, ranging from spindly-tech/house through to lolloping great hunks of beaty chunky goodness with an estranged herbert/swayzak feel.

new phil weeks ep with tr909! its reel, raw and organic !!! limited edition 300 units.

superb deep house massives out of berlin from joe le bon hailing from finland. continental atmospherics with subtle chicago crunch sounds! >life is a bird< is a lush and beautiful deep house track, while >spring 64< with its repetitious percussion and a touch of dramatic strings develops into a 10 minutes long epic. as a bonus there is >drumbum< - a dub-vapored composition which recently appeared on pro-tezs >knights of the sad pattern< compilation and was previously unreleased on vinyl. limited to 300!

surely not is a brilliant house number with moodyman indebted drum pattern based around a soul edged vocal sample which unfolds into a deep late night groover. this is an essential release for detroit aficionados. on the flipside earl goes in with british knights a frenetic subloaded tribal number with a lot of swagger and the odd nod to classic todd edwards and afrika bambaataa along the way. this one is all about the stabbing repetition and the infectious bass line that builds and builds euphorically until it drops into a rhythm track that commands the hips to move and the fist to punch the sky.

limited backstock on the 7th mindtours release, featuring tracks by tom demac, leif, tom ellis and labelhead steevio.

lost and sound …
a1. fenin: black screen (w+p lars fenin) - raw mixed tech stomper for lovers of early techno vibes / simple pattern works.
b1. lars hemmerling: vektor (w+p lars hemmerling) - drowning down the river with moments of noises and shapes lost in echoes and reverbs lars hemmerling delivers a pieceof haunting grounds.

enough talk. more music.

this third outing expands further the mosso musical range, presenting alejandro mosso in some of his most rhythmic and yet, dreamiest atmospheres. unlike mosso002, which got the producer to hunt in his forgotten documents, both airs present on this record have been impetuously developed over the last few months. on the a-side, pleamar is a driving number which boots with a hypnotic metallophone pattern, slowly giving way into a electro (rga)nic piano fest, which in turn twists itself into bent, crushed and perverted synth whistles. this a-side has been designed keeping the lower half of the body in mind, offering full waves of joy and jubilation! now that you are grounded enough, how about flipping that record and meeting us on bajamar - low tide, litterally. on the shores of this b-side is where a wonderful landscape of shimmering spray and glistening stars await you. here again alejandros ability to bring together biotic and mechanic in a homogeneous unity is best revealed. in a magical tour de force, bajamar sends tingles from the base of your heels, up and all along your spine, into your crown, triggering instant wonder, reveries and realisations.

following his release on peter van hoesens time to express late last year, sp-x drops his third ep for komisch. fans of >signal path experiments< and >field lines never end< will not be disappointed as the brussels - based producer serves up three more slices of uncompromising warehouse techno. lead track <the escape< has all the sp-x hallmarks - rock hard beats, thundering claps and a swinging groove that underpins eerie riffs and clanking metallic drums >stalker< reveals a more musical slant to sp-xs sound. it starts off with unsettling riffs, but soon the rolling drum-led arrangement changes tact and provides the backdrop for a growling chord climax. there is a similar concession on >attack pattern< bruising doubled-up drums and that unmistakably snappy sp-x percussion combine with subtle snare rolls to create a peak time arrangement. but once again an insistent chord sequence gives it the edge over functional techno. make sure to hunt this killer release down

double 12 inch vinyl, including cd-version of the full album.
galaxy garden, the latest album by electronic explorer lone, already seems one of 2012s most hyped releases. following our in-depth interview with the man, weare handling the uk premiere of a teaser trailer for the album, made by konx-om-pax. its your first chance to hear new music from the record ... perhaps the most lasting realisation of lones vision of dance music yet - and it looks stunning to boot. what more could you want? r&s will release galaxy garden on may 5, its lead single >crystal caverns 1991< is out this month.

having hinted at upcoming collaborations on blkrtz over the last months in several interviews, deadbeat finally makes good on his promises offering an epic piece of heaviest dub business featuring the unmistakable vocoder stylings of canadian danuel tate of cobblestone jazz fame. title track lazy jane locks in a murderously tight 135 bpm steppers rhythm sure to appeal to fans of both the burial mix series and malas most head down exploits for dmz alike, with tates heaven streaking vocal elevating it to the realm of instant classic from the very first drop. the flipside s 909 dub meanwhile sends the originals synth and vocal lines deep into the echo chamber atop a reinforced version of the bass line and unrelenting 909 drum pattern to create the most classist, purified slice of big room dub techno you are likely to here all year.

special request is a new, hand-stamped series dedicated to capturing the energy of uk pirate radio, while pushing the boundaries of modern dancefloor music. the first special request 12inch features two absolute monster tracks from a legendary uk producer that has got planet e, hot flush and phonica records all on his cv. the ep opens with the >warehouse mix < of >lolita<– a menacing, eight minute long techno-meets-bass stomper that kicks off stripped down drum pattern – claps, hi-hat and a rubbery kick drum – that slowly gives way to an insistent riff that drills itself into your head and categorically refuses to leave. on the flip >alone< is a completely different beast, complete with breakbeats a plenty

der bonobo klassiker aus 2003 jetzt erstmalig als reissue auf vinyl inklusive mp3 download code erhältlich!

jeremy greenspan, best known as the singer for junior boys, presents his debut solo productions on caribou/daphnis jialong label. apparently the first of a few 12 inches for greenspan this year, this 1st edition is a stripped-down disco dedication. a-sides >crown princess< works with a paucity of elements - hi-hat/kick pattern and trickling, silvery arpeggios with a clear streak of jbs melodic magic. flipsides >guu< is more experimental, sounding something like a berghain residents offbeat b-side reduced for more hypnotic indie/disco appeal. another good twelve from this limited imprint - get in while you can.

the new ep from memoria comes from fast-rising romanian producer vid whose previous outings have come on labels including fear of flying and barraca music. vid (vidum) aka sorin rastoaca is a producer obsessed with nature and organic sounds. his latest release >rebirth<, is stripped but not light on feeling, and mines a vein somewhere between deep house and minimal techno. etime is a fluttery, eerie cut that works on many subtle layers. like the feathery minimal percussion of villalobos, the romanians sounds present like flapping butterfly wings as a kick drum punches out a varied pattern below. poem is a little louder and bolder, with a firm rolling kick drum and drunken, wubby sounds running right through its core. plenty of sonic details flesh out the languorous but slightly tribal groove. rebirth is again about little tiny details and how they evolve with time, but the framework they inhabit this time is deep, late-night house with gentle tinkles on keys coming over like a fluttering candle in the dark. 3729 gets its head down and mines a shifty, itching and tight minimal groove, closing out an ep which shows vid to be a master of working minimum sounds into maximum effects.

long waited 4th ep from japanese deep house force pan records is here. unlike precious releases, this is volume 1 of its various artist sampler series. all 3 of them are scheduled to be released in 2012. first track to open the series is >flash back< by sai. this japanese producer has been favored and debuted from morris audio in 2010. the track has dreamy and floating feel to start off with, later it gets more grove going with subtle vocal goes behind. stays musical yet feels minimal, a2 also kept the vibe from a1 and makes you stay in the dreamland. it is by only the non-japanese artist on this wax, dennis uprock aka resoe from denmark. he is the owner of baum records and one half of the duo >pattern repeat< and this rather timeless track exactly demonstrated his years of experience in producing. >future progress<, is true and honest to its name. dj pi-ge is one of the owner of the label along side of ryo murakami and sisi. he provides a track with punchy synth and revered black man’s vocal. notably slow teasing build up from the beginning till the end, this is an interesting addition to the ep. attention grabbing. last of all, >rising moon< is by tokyo based artist naoki shinohara, previously released from xdbs metrolux music. this track can be described by strong hart beat like hi hats and soul filling melody. its a perfect closer to this quality deep house ep from the land of rising sun.

this latest instalment in an impressive run of eps sees chris colburn drop one more classic sounding cuts, wide awake (jacking, detroit-inspired minimalism). having asked to remix >wide awake< after receiving the track directly from chris, rebekah showed just how much she liked the track by delivering two remixes. her fully awake remix is typical of the no-nonsense heads-down style that has earned rebekahs previous work plaudits from adam beyer and chris leibing, while the half asleep mix reworks the original stab pattern to deep hypnotic effect.

zooloft records is approaching to the era of future tech-noir and this release is the result of an internal process of thoughts and ideas behind them. it tells the story of a sad wanderer who is trying to find the path to personal truth. outside, a desolate scenario of modern architectures of cold glass, standing to the edge of horizon. a wonderland of mirrors and empty landscapes: the triumph of solitude. the a side starts with a complex and claustrophobic dark-techno driver which sets a point of no-return. an obsessive pattern of sub-frequencies collides with breaths from the beyond. sound paranoia. the highest frequencies create phrenetic and compulsive rhythms to make the dynamics imploding. the heroes of modern-age industrial techno, orphx, make the path to truth harder. they trace an obscure reinterpretation of the a side with a percussive alarm that marks the time, while dense and anxious atmospheres are followed by syncopated beats and distorted high-frequencies. the breaths from the beyond are now closer than ever. the ep gets closed by an evocative, thoughtful and beatless composition. the perfect soundtrack for those who are wandering and wondering

following his successful >tears in vain 12inch< on perspectiv, promising new producer simon garcia continues his quest for the holy-grail of modern house and techno as we set forth into >cavern<. and indeed >cavern< is a breathtaking ride - a warm pulsating synth pattern is coaxed along by a dusty, filtered kick before we are greeted with rushing bright percussion and a thunderous lead kick. wild fx open up the floor with the first ecstatic break and from there on the track runs with a mind of its own, exploding with rapturous drama and tasteful restraint. bringing us back down to earth at least for a moment. ‚bass ii bass‘ treads more swinging, groovy territories in a classic ny styled house track, updated for 2012. freaky, pitching vocals swirl around a tight bass-led rhythm section, telling a futuristic story of hopeless hedonism. the emotive-piano house vibes of ‚options‘ will likely raise a few tingling hairs for those well acquainted with steve bug‘s recent dj sets. the perfect blinded-by-the-morning-sun moment, mr. garcia really shows of his classy production skills with this slinky, moody slice of classic house.

whereas frozen flower marked his most delicate and emotive release to date, the latest ep from sei a snaps things back onto a futuristic grid of bass-driven club madness. break the pattern is a techno zap-fest featuring a killer hook, precision, laser-cut drums and a rough, rolling groove.
flux blends retro video game sounds with vocal samples, laid out against a psychedelic cha-cha rhythm. this one received early support from martyn who - fresh off his lp release - weighs in with one of his strongest and most playable remixes in recent memory, driving the 8-bit riff into a frenzy, backed by iron-clad beats bouncing atop a megaton sub.. guaranteed crowd-pleaser, this one!
with this release, sei a continues his evolution into one of the most promising talents on the uk scene, reinterpreting the best elements of modern dance music to create a unique and versatile voice.

2nd part of eintakts anniversary vinyl series gives us an insight into a world of playful acid lines, warm guitar sounds and unique vocals by ghettozoid (boy toy) and dasha rush (je suise). a varied compilation, full of crafted sounds and samples, analogue machines and wicked vocals. et00/2 the anniversary part2 compilation includes music from ghettozoid / bekeschus acid dub mix, reynold, neal white and telly quin & gunnar hemmerling. an entity,a mix of deep techno, house and acid.the vinyl is a limited 200 copies edition.

hot deal! support by nick curly, reboot, karotte, robert dietz, mathias kaden, soul clap, dj hell, brothers vibe, &me, adam port and many more.. andrew soul continues to shine as one of the most exciting young talents form his native italy. his current switching positions ep on new yorks stranjjur imprint is winning many a plaudit and today he rolls into town with his latest offering on kiara records, too much love will kill you. andrew brings the funk with his deep bassy synth lines and pounding kick. he also continues to impress with his use of vocals, here using a pitched down soulful take. but its the bass that wins the day and takes control. watch the girls move! on the remix kiara welcome dutchman julien chaptal who dips his rework into some fierce nyc flavouring. killer drum pattern and a twist of the vocal bring a whole new face to the original whilst creating a fearsome and equally potent groov

patrn066 is an excellent blend of funky and raw techno. this 4 track counting ep covers all the sides of the pattern sounds. with disco influenced loops combined with steady banging drums. iago de la vega delivers some excellent productions on this one. also his track with raul mezcolanza (b1) contains that true sampled techno vibe. one for the collection.

limited kanzleramt classics !!

the labeldebute from be that as it may is served by ricardo esposito and michael nadje, with friendly support from luke hess.
the a-side of the record is the epic title track >nieves<, that in a straight way controls the nightly events on the basement floors. nieves is without a doubt taking each and every clubber on a mind trip. thanks to the drums in various arrangements, in combination with the heavy bass, nieves generates a forcing groove that even makes the floor dance.
luke hess reshapes nieves in a consisting and open way. with the given resources the remix is coming to an unsurpassed dynamic, which through percussion and dubby chord patterns is impressively direct. with this interpretation hess respectfully completes the release with sovereignty. vivantes is a classic tool which builds on the foundations of dub and rhythm. through the strongly repetitive pattern vivantes developes to something meditative, grounding the listener at the end of a journey of this extended play.
it is what it is.

mms 1st single (interplanetary music) was described by the guardian as >the thinking fans pop moment of 2008<. the 2nd (love pattern ep) was described by les inrockuptibles as >tropical chic… on this strange cockney accent, caribbean rhythms, disco beats and melodies tan on white sand<. so here comes the last mickey moonlight e.p before his album: close to everything! - sleeve vinyl 12 inch with download card inside to get the mp3s.

breaking onto the scene via a series of anonymous 12inch, it was after garnering reverence as a big name producer in disguise that cottam was unveiled to be the humble newcomer paul cottam. rising through the early rave scene in his hometown of preston, he first cut his teeth as a dj warming up for the likes of surgeon, dave clarke and regis. despite his techno upbringing, it was the slo-mo tempos of mark e and the revenge that inspired cottam to produce his own brand of dusty soul and hip hop-grounded house. however, in april cottam returned to his roots with >sunrise sunset< on use of weapons, sinking a rave core down to his signature slung bpm. it is a journey into sub-aquatic acid house that began with a series of remixes for luv jam, pattern select and morning factory, and one that he continues to explore on his aus music debut. aptly titled >deep deep down< sculpts the feeling of acid techno into warm slo-mo house. ukrainian producer vakula takes the track off on another tangent entirely, stripping away its propulsive chugging heartbeat and replacing it with an off-kilter, spaced-out pulse reminiscent of theo parrish when he s in that kind groove. on the flip, >twang< is a return to cottam s brand of languid, soulful house, steeped with groove destined to incite the dancefloor shuffle.

the 12 inch is an 4 track - extract taken from her full album on desolat. it kicks off with compelling minimal house vibes of >fail better<, >mine has a shower< is a wink to the adopted spaces and unlikely comrades of an island dedicated to music, >triptease< veers slightly closer to a boompty house pattern and >maria, luise and bert< bolster the record with relaxed dancefloor vibes

the moreaboutmusic label launch the secret weapon series for long lost gems and future classics, inspired by the sounds of early chicago house, sheffield bleep and detroit techno. secret weapon #1 comes from deep space orchestra with the future deep house classic >hold me back<, remixes come from disco don cosmic boogie and acid house scientists paranoid london. deep space orchestra deliver the goods with >hold me back<, a stripped down, nu-groove, mr fingers inspired, deep house jam. a simple kick and cymbal pattern builds slowly into a layered percussive house groove, with a pulsating juno bass line. organ stabs tease in and out of the track that build up to a hypnotic hook. the layered rhythms build, whilst a vocal stab teases in and out of the track, layering sounds and sonics, before dropping back onto an irresistible jacking house groove. the remixes are adding some fine flavors to this excellent debut release of mam records.

what do you call musicians like com truise? he seems easy enough to pin down—throw out some words like nostalgia, synth-wave, eighties, and electro-funk and you will scrape by—but to be truly insightful about his music is tough, because art that is so blatantly referencing certain things in a certain way while also making them weird and new and unique is confusing. how do you classify something that is so obviously both vintage and current but is too fun to call postmodern? awesome is an option. especially when it sounds like you are driving the knight rider car through thick clouds of nitrous oxide, like >fairlight<, the title track from truises new single, which previously appeared on an iso50 comp called dry waves and also has this jarring, falling-all-over-itself middle section that prevents you from trancing out too hard. >beta eyes<, the track that follows, is even more restless, with a drum pattern that is fidgety and clustered, kicks and snares fighting each other like two drum and bass heads arguing over an atari remote. >polyhurt<, a narcotic, almost ballad-like closer that inevitably leaves you thinking, >now, how the hell am i going to describe that to someone?< the vinyl exclusive cut >colorvision< could be truises most dancefloor friendly track yet.
limited to 500 units worldwide (200 in europe).

nice price deal !!! dose - brain drain :
new addition to the m-atome artists roster, another new zealand wonder which is now a force to reckon with, dose strikes hard with a moody rolling number,delivering fast-paced beats with groovy bass, hypnotic sub and clever edits. sheer badness!
rregula - batholith :
second appearance for rregula on m-atome, the bad man from the down under land, once again, provides a strong track, starting off with gentle pads until the ruff bassline surges, rolling along with some intriguing and catchy hits over a solid beat pattern.
dj support from axiom, chris su, mindscape, bulletproof, dementia, phetsta ...

the intermezzo ep kicks off with we are here, which could be easily described as get out part 2. a spoken word vocal over kerris trademark beats and instrumentation, musing on the subject of a busy schedule and calways available technology. so it begins again takes things down a much more tribal road, perfect for a big room, and the dc10 mix is a nod towards the direction kerri had in mind and the dancefloors he created this track for. the dark mix takes this idea even further with a more progressive feel as the track plays out. red lights explores a more live drum feel with a cut-up breakbeat playing a 4/4 rhythm, and a throbbing bassline and synth pattern. this one is a little deeper but still packs plenty of punch!

played by: monika kruse, carlo lio, gregor tresher, tassilo, joris voorn, karotte, kaiserdisco, mauro picotto, hernan cattaneo, darren emerson and many more. the one thing that perhaps ties all of dj simis multifarious sounds and aliases together is his passion for distinct drums. his new sci+tec single >green twister< certainly fits. beginning with a stripped back, fuzzy bleep groove, the cut soon becomes a mechanized dancefloor workout thanks to a clear militaristic drum solo. this is classic simi. instead of building tension through sound fx or digital trickery, as so much of todays techno tends to do, >green twister< creates its dancefloor euphoria from a much simpler place: a drum pattern change. for the remix of >green twister<, sci+tec roped in naples danilo vigorito. vigoritos remix is straight up techno jacker. he builds a moody and intense atmosphere around the distinct drums of simis original. its a dark and foreboding club sound.

electric deluxe is proud to present the new terence fixmer ep le terrible. and as the name already suggests this ep is up for some serious damage. a side kicks off with le terrible a dynamic and powerful monster of a techno track which pumps up your adrenaline with its pounding bass drum and hypnotic built ups. gut feeling! b1: concept c is a strong track in which terence fixmer works his production magic with more experimental elements such as drone sounds and his ragged and slightly distorted signature bass. nonetheless creating a high energy level tune ready to be unleashed on the dancefloor. b2: last with the vinyl version dance like paranoid (marcel dettmann remix). marcel dettmanns remix wins you over by its carefully arranged melody and drum pattern which creates a melancholic and timeless rave anthem. bliss!

he s now back with a new 2 track ep, wait & see, that gives a sneak peak into his album that wil be released in october.on the a-side, wait & see, a secret weapon already triggered by agoria on his recent sets. the track opens with a steady but slightly dizzying rhythm pattern that eventually makes way for an androgynous chorus that build and lift your hands in the air with them. on the flipside, -love birds- a night owl, minimal and graceful and which waves its wings of synth arrangements and nocturnal chants till the first shines of the day

following the soothing >landscapes of the future< compilation, featuring selected ambient works by argentinas finest (jonas kopp, gustavo lamas, leonel castillo…) greener records is proud to present its first split ep, with label boss andres zacco and brother in soul franco cinelli. the greener 12 inch releases come out on vinyl only, for the simple reason that they are specically made for djs, and this is exactly what this record is about.